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1、ResearchNetworkforTextileConservation,DressandTextileHistoryandTechnicalArtHistoryTheCentreforTextileConservationandTechnicalArtHistorywasawardedagrantfromtheGettyFoundationin2010tosetuparesearchnetwork.Thenetworkencompassesthethreefieldsof:?textileconservation?dressandtextilehistory?technicalarthi
2、story'TheRealThing?':theValueofAuthenticity(真實性)andReplication(復(fù)制)forInvestigationandConservationinternationalconferenceDecember6-72012TheculminatingeventoftheResearchNetworkisatwo-dayinternationalconferenceonthetopicofauthenticity,withpapersrelatedtothethreefieldsoftextileconservation,dressandtext
3、ilehistoryandtechnicalarthistory.Everyoneiswelcometoattend,whetheryouareanactiveresearcheroraninterestedobserver.Theroleofcurators,conservators,arthistorians,andconservationscientistshasbecomeincreasinglycomplexwithnewapproachestowardsinterpretation,displayanduseofcollectionsbytheculturalheritagese
4、ctor.Advancesinconservationscienceprovideuswithincreasingamountsofinformationaboutthetangiblepropertiesofobjects,whiletheintangibleandconceptualqualities,ofcontemporaryandnon-westernartefactsinparticular,alsoinfluenceourwork.Theconceptofauthenticityisoneofthecorefactorsdrivingdecisionmaking.Program
5、meAnexcitingprogrammehasbeenarranged,withspeakersfromTheNationalArchives,WestDeanTapestryStudio,theNationalPortraitGallery,theVictoriaandAlbertMuseum,theBritishMuseum,andtheMetropolitanMuseumofArt,NewYorkCity.Topicsincludetheethicsandpracticalitiesofreplication,theimpactofdifferentinterpretationsof
6、authenticityonconservationapproaches,culturalheritageonline,developingyoungpeoples’understandingofhistoryanddiscussionofartefactsasvariedasthesculpturesofDavidSmithandthecostumesfromGonewiththeWind,Orthodoxecclesiasticalembroideryandfancydress,ItalianRenaissancepaintingsandJapanesescrollpaintings.T
7、herewillalsobeposterdisplaysonawiderangeoftopicwithanopportunityatFriday'slunchtospeakwiththeposterpresenters.Speakers?AlexandraAllardt,ArtCareResources,RhodeIsland?MaryM.Brooks,IndependentConsultant,Englan