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1、AnalyzetheCharactersandFateofMaleProtagonistsofShakespeare’sPlaysAbstract:Asweallknow,WilliamShakespeareisoneofthemostimportantwriterduringtheRenaissanceinEurope.Inthecourseofaquartercentury,Shakespearewrotesomethirty-eightplays.Severalofthemareamongtheworld'sfines
2、twrittenworks.Takencollectively,theyestablishShakespeareastheforemostliterarytalentofhisownElizabethanAge,andevenmoreimpressively,asageniuswhosecreativeachievementhasneverbeensurpassedinanyage.Heisnotonlyapoet,butalsoamasteroflinguistic.Throughhismasterpiece,wecanr
3、eadthefinewordscombinewithprofoundthought,andalsowithwell—roundedportrayalofcharacters.Shakespearewasregardedas“thegreatestdramaticgeniusofmankind”byMarx.AndShakespearewasalsoviewedas“theonlydelightindarkkingdom”byDubrdiubov,healsosaidtoShakespearethatpointedoutane
4、wstageofhumandevelopment.ThisarticlewillstartwiththeculturaloriginsofShakespeare'screation,toanalyzethetragicfiguresandthesubjectivesenseofthemaleprotagonistswhichleadtheminachievingthesametragicendingstowardlife,showingthesimilaritiesofthemaleprotagonistsinShakesp
5、eareantragedies,andexplainthefeaturesofthehumanitiesandthesocialrealitiesofEuropeanRenaissance.Iwillillustratemyideasasfollows.Keywords:Shakespeare’splays,featuresandcharacters摘要:眾所周知,威廉姆莎士比亞是歐洲文藝復(fù)興時期重要的一位作家,在25年的寫作過程中,他寫了38部戲劇.其中有幾部作品在世界上也算得上是好的作品。大家都認(rèn)為莎士比亞是伊麗莎白時期
6、最具有文學(xué)天才的文學(xué)大師,而且更令人感到驚訝的是作為一個天才他的創(chuàng)作成就從來沒有被任何時代的任何一個人超越過。他不僅是個詩人,而且是個語言學(xué)家。在他的作品中,我們能讀到精致的文字和深刻的思想和對人物形象深刻的刻畫。馬克思認(rèn)為莎士比亞是人類戲劇史上的最偉大的天才。莎士比亞也被杜勃羅留波夫視為黑暗王國的一線光明,他也說莎士比亞指出了人類發(fā)展的幾個新的階段。這篇文章將要從莎士比亞創(chuàng)造的文化起源著手,分析悲劇中男主角的悲劇性格以及最終的悲劇結(jié)局,展示莎士比亞筆下男主人公的悲劇共性,并解釋人文主義的特征和歐洲文藝復(fù)興的社會現(xiàn)實。我將會
7、在下面的文章闡述我的觀點。關(guān)鍵字:莎士比亞戲劇,特征,角色TableofContents1.Abriefintroductionofthefourtragedies1.1.ContentsofHamlet1.2ContentsofOthello1.3ContentsofMacbeth1.4ContentsofkingLear2.Thesimilaritiesofthefourmaleprotagonists2.1Theirsimilarfamilybackground2.1.1Hamlet’sfamilybackground
8、2.12Othello’sfamilybackground2.13Macbeth’sfamilybackground2.14KingLear’sfamilybackground2.2Theirsimilarlifeexperience2.2.1Hamlet’slifeexperience2