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1、中文摘要王建民是當(dāng)代著名二胡作曲家,在諸多二胡作品中,王建民創(chuàng)作的四首二胡狂想曲,各具地方風(fēng)格特色,在創(chuàng)作理念,創(chuàng)作背景,以及創(chuàng)作技法上也有著時(shí)代感與創(chuàng)新性。例如:《第一二胡狂想曲》描寫(xiě)了云南少數(shù)民族的風(fēng)土人情,旋律曲調(diào)優(yōu)美若高入云端?!兜诙裣肭返男蛇\(yùn)用了湖南民歌和花鼓戲音調(diào)創(chuàng)作而成?!兜谌裣肭啡〔挠谛陆粠У纳贁?shù)民族歌舞素材,并以一個(gè)富饒的西域風(fēng)格主題貫穿全曲。本文通過(guò)分析王建民先生《第四二胡狂想曲》,論述了王建民二胡作品的創(chuàng)新性與時(shí)代感,對(duì)王建民作曲技法的特征加以概述,并著重展開(kāi)對(duì)西北音樂(lè)風(fēng)格及
2、音樂(lè)形象塑造進(jìn)行論述。旨在通過(guò)對(duì)王建民《第四二胡狂想曲》中西北風(fēng)格的探究,結(jié)合筆者多年的實(shí)際演奏經(jīng)驗(yàn),對(duì)二胡樂(lè)曲風(fēng)格性及音樂(lè)表現(xiàn)中的音樂(lè)形象塑造及意境的體現(xiàn)做出了解釋?zhuān)M麑?duì)二胡演奏者提高演奏技術(shù)和演奏境界有所促進(jìn)和啟悟。關(guān)鍵詞:二胡狂想曲王建民創(chuàng)作技法西北風(fēng)格IAbstractWangisafamouscontemporaryerhucomposer,inmanyerhuworks,wang'sfourerhurhapsody,eachhasitsplacestylecharacteristic,inthecrea
3、tionconcept,background,andalsohasadistinctivewritingstyleandtechniquesinnovationandcontemporary.Forexample:"thefirsterhurhapsody"describesthelocalconditionsandcustomsofethnicminoritiesinyunnan,beautifulmelodymelodyifhighintotheair.Theseconderhurhapsodymelodyusi
4、ngtonesofhunanfolksongsandoperacreation."Thethirderhurhapsodyinxinjiangareaofminoritysongsanddances,andwitharichwesternstylethemerunsthroughthewholesong.Inthisarticle,throughanalysis,thefourtherhurhapsodyMrWangdiscussestheinnovationofwang'serhuworkswithTheTimes
5、,anoverviewofthecharacteristicsofwang'scompositiontechniques,andfocusonthenorthwestmusicstyleandmusicimageshapingisdiscussed.Aimstochien-mingwang,thefourtherhurhapsodyZhongXiBeistyleofexploration,combinedwiththeauthormanyyearsofpracticalexperience,theerhumusics
6、tyleandmusicinthemusicperformancecharacterizationandtheembodimentoftheartisticconceptionisexplainedwiththehopeoferhuperformer,promoteandimprovetheskillandplayingstateenlightenment.KeyWords:ErhuRhapsodyJianminWangWritingtechniquesNorthweststyleII目錄中文摘要…………………………
7、…………………………………………ⅠAbstract……………………………………………………………………Ⅱ目錄………………………………………………………………………Ⅲ引言………………………………………………………………………1一王建民二胡作品創(chuàng)作概述……………………………………………21.1王建民二胡狂想曲創(chuàng)作藝術(shù)特征概述…………………………………21.2王建民二胡作品創(chuàng)作的創(chuàng)新性與時(shí)代感……………………………5二《第四二胡狂想曲》體裁選擇與風(fēng)格特征的來(lái)源……………………72.1中國(guó)民族器樂(lè)曲中的狂想曲體裁………………
8、………………………72.2西北音樂(lè)風(fēng)格文化特征…………………………………………………82.2.1西北地域與人文特征……………………………………………82.2.2西北音樂(lè)風(fēng)格特征………………………………………………8三《第四二胡狂想曲》的創(chuàng)作技法與風(fēng)格特征…………………………113.1《第四二胡狂想曲》的創(chuàng)作特征…………………………………113.