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1、THECOLLECTEDPOEMSOFHARTCRANEEDITEDWITHANINTRODUCTIONBYWALDOFRANKLIVERIGHTPUBLISHINGCORPORATIONNEWYORKTHECOLLECTEDPOEMSOFHARTCRANE*COPYRIGHT,1933,LIVERIGHTINC.LIVERIGHTPUBLISHINGCORPORATION*ConrigMinAllCountries*BLACK&GOLDEDITIONJULY,1946*ManujlJctu1"eJmtheUnitedStatesofAmeri&1IED
2、ITOR'SNOTEATthetimeofhisdeath,HartCranehadpre?paredforpublicationavolumetobecalledKeyWest:AnIslandSheaf.Thiscollection,withthepoemsasarrangedbyCrane,figuresasPartThreeofthisvolume.TheUncollectedPoemswerefoundinmanuscriptamongthepoet'spapers,andwerewrittenforthemostpartinthelastth
3、reeorfouryearsofhislife.Someofthemhadnotitle.Manyofthem,itisclear,areincompleteandweresoconsideredbythepoet.Thereexistanumberofl1arioraofcertainpas?sagesofTheBridge,apartfromthevariationsinthePariseditionwhichappearedafewmonthsbeforethefirstNewYorkissue;buttheEditorhasnotjudgedth
4、atthepublicationofvanorawouldbeadvisableinthisfirstcollectededition.ThetextofTheBridgeadheredto,isthefinalonechosenbythepoetandpublishedbyLiveright,Inc.TheEditorisindebtedprincipallytoMrs.GraceHartCrane,thepoet'smother,andtoMr.SamuelLoveman,forassistanceinthepreparationofthisvolu
5、me.HisthanksareduealsotoMr.MalcolmCowley,Mr.PatMcGrathandMr.JosephKling,formereditorofThePagan.~NINTRODUCTIONIdwellinPossibilityAja:LrerhousethanPrO!6.Morenumerousofwindows,Superiorojdoors.EMILYDICKINSONaAGRARIANAmericahadacommonculture,whichwasboththefruitandthecarrierofwhatIhav
6、ecalledelsewhere'"thegreattradition,."1ThistraditionroseintheMediterraneanworldwiththewillofEgypt,IsraelandGreece,torecreatetheindividualandthegroupintheimageofvaluescalleddivine.ThesamewillestablishedCatholicEurope,andwhenitfailed(producingnonethe·lesswhatcametohethenationalEuro
7、peancultures),thegreattraditionsurvived.ItsurvivedintheEuropeofRenaissance,Reformation,Revolution.WiththePuritans,itwasformallytransplantedtotheNorthAmericansea?hoard.RogerWilliams,ThomasHooker,JonathanEd·wards;later,inamorenarrowsense,Jefferson,Madison,Adams,carriedonthegreattra
8、dition,withthesametools,onthesameintelle
