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1、科學(xué)技術(shù)（責(zé)任編輯：葉曉莉）ClassificationsofPOV陳敬珍（四川外語學(xué)院研究生部重慶市沙坪壩區(qū)400031）Abstract:Indiscourse,POV(pointofview)isakindofschemaswhichrestrictsthedeepstructureofthetext,reflectspeople’sangleofvisionandattitudetowardstheobjectworld,decidesanddominatesthechoosingandcombiningofthemessa
2、gesofthetext,whichcruciallyaffectsthesurfacestructureofthetext.[1]ThispapertriestointroducesomepopularclassificationsofPOV,includingFriedman’seightdivisions,Genette’stripledivision,ShenDan’squadrupledivision,Fowler’sclassificationandXiongMuqing’sproposal.Keywords:POV;c
3、lassification;schemas1.Friedman’seightdivisionsforclassification,thenarrator’sobservingposition,issolidanddurable.In1967,NormanFriedman[2]presentedtheclassificationwitheightAsintheomniscientfocalization,thenarratorexertsthemostflexiblePOVterms,whichmaybethemostdetailed
4、one.andmayshiftfromcharactertocharactercontinually,soitissensibleto1)Editorialomniscienceputomniscientfocalizationunderanindependentcategory.2)Neutralomniscience4.RogerFowler’sProposal3)I-as-witnessFowler[5]madeasystematicstudyofPOVanddistinguisheditinto4)I-as-protagon
5、istthreekinds:spatial-temporalPOV,psychologicalPOV,andideological5)Multipleselective-omnisciencePOV.6)Singleselective-omniscienceHearguesthattemporalPOVreferstotheimpressionwhichareader7)Dramaticmodegainsofeventsmovingrapidlyofslowly,inacontinuouschainorisolated8)Camer
6、aeyesegments;itincludesalsodisruptionsofthe‘natural’flowoftime,byforInhisclassification,thereismuchconfusionforitlacksconstantcri原exampleflashbacks,previsionsortheinterweavingofstorieswhichcon原terionforsuchadivision.Forexample,cameraeye,referringtonarratingcernsdiffere
7、nttime-spheres.Heholdsthatthespatialdimensionofspa原likeacamerashootingwithoutselectionororganization,isnotveryeasilytio-temporalPOVcorrespondstoviewingpositioninthevisualarts.Ideo原distinguishablefromdramaticmode,inwhichcharacter’sbehaviorisin原logicalPOVisthesystemofbel
8、iefs,values,andcategoriesbyreferencetotroducedtothereaderlikeperformingadrama,notwithinteriorthoughtswhichapersonoras
