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1、Monet,AndTheImpressionMovementHeWasInOutline●HistoricalBackground●TheIntroductionofImpressionism●Monet,theImpressionist●TheInfluenceofMonetandtheImpressionismHistoricalBackgroundWhatIsImpressionism?●Impressionism,amajormovement,firstinpaintingandlaterinmusic,thatdevelop
2、edchieflyinFranceduringthelate19thandearly20thcenturies.●Impressionistpaintingcomprisestheworkproducedbyagroupofartistswhosharedasetofrelatedapproachesandtechniques.●ThemostconspicuouscharacteristicofImpressionismwasanattempttoaccuratelyandobjectivelyrecordvisualreality
3、intermsoftransienteffects(瞬時(shí)效應(yīng))oflightandcolour.RepresentativeFiguresImpressionistpainters:●Principal:ClaudeMonet,PierreAugusteRenoir,CamillePissarro,AlfredSisley,etc●EdgarDegas(德加)andPaulCézanne（塞尚）intheearly1870s.●TheestablishedpainterManetadoptedtheImpressionistappro
4、achabout1873.Inotheraspects:●Music:ClaudeDebussy&MauriceRavel●Literature(closelyrelatedtosymbolism):Baudelaire,Rimbaud,Verlaine,etc.InnovationinScience&Technology→InnovationinImpressionism●ColourTheory●Camera●Innovation&ExperimentsTheemergingscienceofcolortheoryplayedan
5、importantroleinthedevelopmentofimpressionism.TheIssueofBlack●Pureblackisrarelyusedbytheimpressionistpainters.●Monetobtainedanappearanceofblackbycombiningblues,greensandreds.Heeliminatedalmostcompletelyblackfromhispainting,evenintheshadows.Avoidingblackwassodeeplyanchore
6、dinMonet'smannerthatwhenhedied,hisfriendGeorgesClemenceauwouldnotstandtheblacksheetcoveringthecoffin.Heexclaimed:"No!NoblackforMonet!"andreplaceditbyafloweredmaterial.InfluencefromCamera●helpingtheartistsstudymovementandgesturestocaptureasenseofreal-lifespontaneity,tofu
7、llyunderstandthesurroundings,thedetails,contraststoviewfromanotherperspectiveandsoon;●Inspiringthemtoexperimentwiththecandidgroupings,off-centerfocus,deepperspectivesforeshortening;●recordingtherealworldratherthanhistoricalimagination-Impressionistsmotivatedtodepictpeop
8、leandlandscapeswithoutmythologicalorhistoricalexaggerations.Innovation&ExperimentsBlurredmovingfigures-slowshu
