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1、分類號(hào)學(xué)校代碼!Q5壘2密級(jí)學(xué)號(hào)200804020112沈德潛的先唐詩(shī)歌評(píng)點(diǎn)析論ResearchonShenDeqian’sCommentariesonthePoetryofPre--TangDynasty研究生姓名康兆禎指導(dǎo)教師姓名、職稱李生龍教授學(xué)科專業(yè)中國(guó)古代文學(xué)研究方向先秦兩漢魏晉南北朝文學(xué)湖南師范大學(xué)學(xué)位評(píng)定委員會(huì)辦公室二零一一年五月≠釤為摘要本論文以沈德潛的先唐詩(shī)歌評(píng)點(diǎn)為研究對(duì)象,而根據(jù)先唐詩(shī)歌的發(fā)展階段以及沈氏評(píng)判先唐各時(shí)段詩(shī)歌所持的不同態(tài)度,采用并列的結(jié)構(gòu)行文,即先于論文的第一章第一節(jié)交代沈德潛先唐詩(shī)歌評(píng)析的總的成就,接著
2、于第一至第四章分別探討沈德潛的先秦詩(shī)歌評(píng)點(diǎn)、漢詩(shī)評(píng)點(diǎn)、魏晉詩(shī)歌評(píng)點(diǎn)、南北朝隋詩(shī)評(píng)點(diǎn)的具體特色。于先秦詩(shī),分先秦“古逸"詩(shī)、《詩(shī)經(jīng)》、《楚辭》三節(jié)析論之;于魏晉詩(shī),分魏詩(shī)、晉詩(shī)、陶淵明三節(jié)析論之;于南北朝隋詩(shī),亦分宋詩(shī)、齊梁詩(shī)、陳隋詩(shī)三部分析論之。通過(guò)對(duì)第一至第四四章的具體分析,勾勒出沈氏先唐詩(shī)歌評(píng)析之全貌;于此四章之中,皆對(duì)沈氏先唐詩(shī)歌評(píng)點(diǎn)之體例、指導(dǎo)思想、沈氏評(píng)點(diǎn)各時(shí)段詩(shī)歌所持之具體態(tài)度和標(biāo)準(zhǔn)以及沈氏評(píng)點(diǎn)之特色進(jìn)行探討分析,章中每節(jié)之末均附總結(jié)。于結(jié)語(yǔ)部分,則通觀把握沈氏先唐詩(shī)歌評(píng)析的總的成就與價(jià)值,指出其評(píng)點(diǎn)先唐各時(shí)段詩(shī)歌時(shí)態(tài)度變化的
3、整體表現(xiàn)與原因,考鏡其評(píng)語(yǔ)源承,指出其理論局限。關(guān)鍵詞:沈德潛;古詩(shī)源:說(shuō)詩(shī)啐語(yǔ);先唐詩(shī)歌評(píng)點(diǎn);詩(shī)歌風(fēng)格ABSTRACTThisthesistakesShenDeqian’Scommentariesonthepre-Tangdynastypoetrywhichisdividedintoseveralperiodsastheobject,basedonthedevelopmentofShen’Scriticalattitudestowardswhich,thethesishasadoptedajuxtaposedstructureofsum
4、mary—separatelyexpound-summarytofabricatethepassage,whichmeansthefirstsectionofthefirstchaptergivesabriefintroductiontOthegeneralaccomplishmentofShen’Scommentariesonthepre-Tangdynastypoetry,andthenthefirsttothefourthchapterdiscussShen’Scommentariesontheattributesofthepoet
5、ryofpre-Qindynasty,Handynasty,WeiandJindynasties,aswellastheNan—BeiandSuidynastiesseparately.Asforthepoetryofpre·Qindynasty,thecontentisdividedintothreeparts,whichare‘'theancientlost'’poetry,TheBookofSongs,TheAnthologyofChu-statePoetry;asforthepoetryofWeiandJindynasties,t
6、hechapterisalsodividedintothreeparts,namely‘‘thepoetryofWeidynasty",‘"thepoetryofJindynastry’’and‘‘TaoYuanming’’aswell;asforthethirdchapter,it’Sdividedintothreepartstoo,whicharethepoetryofLiuSongdynasty,theQi—Liangdynasties,andtheChen-Suidynasties.Throughthespecificanalys
7、isofthefirsttothefourthchapters,thepaperdelineatesthestyle,theintroductorythoughtsandtheoverallcontentofShen’Scriticismandanalysisonthepoetryofpre-Tangdynasty.What’Smore,theendingparagraphsofeachchapteristhediscussion,generalizationofthecharacteristicsofShen’Sattitudesand
8、criteriaoneachphase.AsfortheIIlastpart,namelytheconclusion,itisageneralviewoftheoverallaccomplis