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1、Joe’sGuitarMethodTowardsAJazzImproviser’sTechniqueI.IntroPg.1II.Tuning&SetupPg.5A.TheGrandStaffB.UsingaTunerC.IntonationD.ActionandStringGaugesE.AboutWhammyBarsIII.LearningTheFretboardPg.11A.TheCMajorScale....(howtofindthe“natural”pitchesoneachstring)IV.BasicGu
2、itarTechniquesPg.13A.OverviewB.HoldingthePickC.FrettingHand:PlacementoftheFingersD.StringDampeningE.FrettingHand:PlacementOftheThumbF.FrettingHand:FingerStretchesG.FrettingHand:TheWrist(AboutCarpalTunnelSyndrome)H.PositionPlayingonSingleStringsV.SingleStringExe
3、rcisesPg.19A.6thStringB.5thStringC.4thStringD.3rdStringE.2ndStringF.1stStringG.PhrasingPossibilitiesOnASingleStringVI.Chords:Construction/Execution/BasicHarmonyPg.35A.Triads1.Construction2.MovableTriadicChordFormsa)FreddieGreenStyle-Part1(1)Strumming(2)Pressure
4、ReleasePoints(3)RhythmSlashes(4)ChangingChords3.Inversions4.OpenPositionMajorChordForms5.OpenPosition-OtherTriadicChordsa)PalmMutesB.SeventhChords1.Construction2.MovableSeventhChordForms3.OpenPositionSeventhChordFormsC.ChordsWithAddedTensions1.ConstructionD.Sim
5、pleDiatonicHarmonyE.ElementaryVoiceLeadingF.ChangesToSomeStandardTunes1.AllTheThingsYouAre2.Confirmation3.RhythmChanges4.SweetGeorgiaBrown5.AllOfMe5.AllOfMeVII.OpenPositionPg.69A.OverviewB.PickingTechniques1.AlternatePicking2.TripletPickingTechniques3.ReverseAl
6、ternatePicking4.SweepPicking(akaEconomyPicking)C.TheMajorScalesD.MiscellaneousExercisesE.SuggestionsForTunestoLearnVIII.ShellVoicingsPg.79A.TheConceptB.FreddieGreenStyle-Part21.SpreadTriads2.AlternatingRootAnd5thInTheBass3.Tri-ToneSubstitutionIntroduction4.Pass
7、ingChordsIntroduction5.ThreeNoteVoicingsForInversionsOfSeventhChordsC.GuideTonesD.ChordsWith3OrMoreTensionsIX.PositionPlayingPg.95A.TheChromaticScaleInPositionVB.TheCMajorScalein12PositionsC.The7“Regular”MajorScalePosition-StyleFingeringsD.All12MajorScalesinASi
8、nglePosition(PosV)E.Position-StyleArpeggiosF.PhrasingPossibilitiesInPositionG.SightReadingTipsH.SuggestionsForTunesToLearnI.IntervallicPatternsInPositionJ.CombiningTheSingle