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1、學(xué)士學(xué)位論文題目：淺談巴揚(yáng)式與傳統(tǒng)式手風(fēng)琴演奏優(yōu)劣勢(shì)之比較專(zhuān)業(yè)：音樂(lè)學(xué)淺談巴揚(yáng)式與傳統(tǒng)式手風(fēng)琴演奏優(yōu)劣勢(shì)之比較內(nèi)容摘要：傳統(tǒng)式鍵盤(pán)手風(fēng)琴與雙系統(tǒng)自由低音從性能、結(jié)構(gòu)、左右手音域、表現(xiàn)力等諸多方面相比，實(shí)屬望塵莫及。因其巴揚(yáng)琴有諸多優(yōu)勢(shì)，所以早已成為國(guó)際琴壇重大賽事中所規(guī)定的高規(guī)格、高品質(zhì)的標(biāo)準(zhǔn)演奏琴，也是東西歐較為普及的手風(fēng)琴。且該琴演奏的音樂(lè)史上的復(fù)調(diào)音樂(lè)、近現(xiàn)代和聲作曲技法的現(xiàn)代音樂(lè)，亦可駕馭的十分到位。而鍵盤(pán)式手風(fēng)琴在我國(guó)有著非常廣泛的群眾基礎(chǔ)。因其攜帶方便等諸多優(yōu)點(diǎn)深受人們所喜愛(ài)，被譽(yù)為是“背在身上的小樂(lè)隊(duì)”。假如你喜歡手風(fēng)琴那種帶著金屬感
2、的、顫動(dòng)而飄灑的音色并且想動(dòng)手親自體驗(yàn)?zāi)欠N演奏的快樂(lè)的話，那你一定要了解一下巴揚(yáng)手風(fēng)琴的特點(diǎn)。因?yàn)檫@會(huì)給你帶來(lái)更多意想不到的快樂(lè)和驚喜。本文就將這兩種琴的優(yōu)劣勢(shì)，闡述、探究性的做一論證及分析。關(guān)鍵詞：傳統(tǒng)式手風(fēng)琴兩琴比較簡(jiǎn)潔指法音域優(yōu)勢(shì)TOPIC：OnBayanaccordionplayingwithconventionalcomparativeadvantagesanddisadvantages[Abstract]Traditionalkeyboardanddualsystemoffreebassaccordionfromthepropertie
3、s,structure,leftandrighthandrange,andexpressivethanotheraspects,isreallyhardacttofollow.Pakistanhasmanyadvantagesbecauseoftheirdulcimer,ithasbecomeamajorinternationalpianocompetitionsintheforumunderthehigh-profile,high-qualitystandardsplaypiano,butalsothemorepopularaccordionEa
4、sternandWesternEurope.Andthepianomusicplayedinthehistoryofpolyphony,moderntechniquesofmodernmusiccompositionandsound,canalsocontroltheveryplace.ThekeyboardaccordioninChinahasaverybroadmassbase.Easytocarrybecauseofitsmanyadvantagessuchasgreatlylovedbythepeople,knownasa"backinth
5、ebodyofasmallband."Ifyoulikethekindwithametalaccordionsense,vibrationanddriftofthesoundandwanttoexperiencethekindofplayinghandshappy,thenyoumustfindoutthecharacteristicsofBayanAccordion.Becausethiswillgiveyoumoreunexpectedpleasureandsurprise.Thiswillbetheadvantagesanddisadvant
6、agesofthetwopiano,elaborateinquirytodoademonstrationandanalysis.[Keywords]TraditionalaccordionComparisonofthetwopianoSimplefingeringRangeadvantage目錄引言·····················································1一．巴揚(yáng)手風(fēng)琴諸多調(diào)式指法的規(guī)律性······················1二．巴揚(yáng)琴琴體小巧音域?qū)挕ぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁ?/p>
7、···········2三．巴揚(yáng)琴右手鍵距短而無(wú)黑鍵的科學(xué)性····················3四．巴揚(yáng)手風(fēng)琴伴奏時(shí)變調(diào)易如反掌························4一．結(jié)束語(yǔ)··············································5二．參考文獻(xiàn)············································6三．致謝················································6引言：改革開(kāi)放以來(lái)，特別是近些年在全國(guó)興起的考級(jí)熱和日益增
8、多的對(duì)外交流，也促進(jìn)了手風(fēng)琴教學(xué)與演奏水平的提高，傳統(tǒng)式手風(fēng)琴得到了進(jìn)一步的普及與發(fā)展。鍵鈕式（巴揚(yáng)）自由低音手風(fēng)琴是在8
