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1、Hamlet‘ssoliloquy1外11褚芷琦To?be,?or?not?to?be——?that?is?the?question;????Whether‘tis?nobler?in?the?mind?to?suffer??The?slings?and?arrows?of?outrageous?fortune,??Or?to?take?arms?against?a?sea?of?troubles,??And?by?opposing?end?them?生存還是毀滅，這是一個值得考慮的問題；默然忍受命運的暴虐的毒箭，或是挺身反抗人世的無涯的苦難
2、，??通過斗爭把它們掃清，這兩種行為，哪一種更高貴？To?die——to?sleep——??No?more;?and?by?a?sleep?to?say?we?end??Theheartache?and?the?thousand?natural?shocks??That?flesh?is?heir?to,?'tis?a?consummation??Devoutly?to?be?wish'd.死了；睡著了；什么都完了；要是在這一種睡眠之中，我們心頭的創(chuàng)痛，以及其他無數(shù)血肉之軀所不能避免的打擊，都可以從此消失，那正是我們求之不得的結(jié)局。To?di
3、e,?to?sleep——??To?sleep——perchance?to?dream.?Ay,?there's?the?rub;??For?in?that?sleep?of?death?what?dreams?may?come??When?we?have?shuffled?off?this?mortal?coil??Must?give?us?pause:?there's?the?respectthat?makes?calamity?of?so?long?life;死了；睡著了；睡著了也許還會做夢；嗯，阻礙就在這兒：因為當我們擺脫了這一具朽腐
4、的皮囊以后，在那死的睡眠里，究竟將要做些什么夢，那不能不使我們躊躇顧慮。人們甘心久困于患難之中，也就是為了這個緣故；For?who?would?bear?the?whips?and?scorns?of?time,??The?oppressor's?wrong,?the?proud?man's?contumely,??The?pangs?of?despised?love,?the?law's?delay,??The?insolence?of?office?and?the?spurns??That?patient?merit?of?the?unw
5、orthy?takes,??When?he?himself?might?his?quietus?makewith?a?bare?bodkin?誰愿意忍受人世的鞭撻和譏嘲、壓迫者的凌辱、傲慢者的冷眼、被輕蔑的愛情的慘痛、法律的遷延、官吏的橫暴和費盡辛勤所換來的小人的鄙視，要是他只要用一柄小小的刀子，就可以清算他自己的一生？Thus?conscience?does?make?cowards?of?us?all;And?thus?the?native?hue?of?resolution??Is?sicklied?o'er?with?the?pale
6、?cast?of?thought,??And?enterprises?of?great?pith?and?moment??With?this?regard?their?currents?turn?awry,??And?lose?the?name?of?action.這樣，重重的顧慮使我們?nèi)兂闪伺撤?，決心的赤熱的光彩，被審慎的思維蓋上了一層灰色，偉大的事業(yè)在這一種考慮之下，也會逆流而退，失去了行動的意義。Soliloquy(獨白)Asoliloquyisadeviceoftenusedindramawhenacharacterspeaksto
7、himselforherself,relatingthoughtsandfeelings,therebyalsosharingthemwiththeaudience,givingofftheillusionofbeingaseriesofunspokenreflections.Ifothercharactersarepresent,theykeepsilentand/oraredisregardedbythespeaker.1.revealtheinnermostthoughtsoftwocharacters;2.employthetechn
8、iqueofpoetry,usingthewordsofthecharacterwhenhetalksprthinkhimself.Functionsofsolil
