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1、淺析《老人與?！分泻Ｃ魍膶懽黠L(fēng)格與技巧Hemingway’sWritingStyleandTechniquesinTheOldManandtheSeaContentsAbstract……………………………………………………………..……....1Keywords…………………………………………………..……………1I.Introduction.……………………………………………………………..2II.Literaturereview………………………………………………………..2III.BackgroundofHemingway………………………………………….
2、.3Ⅳ.Hemingway’sWritingstyleandtechniquesinTheOldManandtheSea………………………………………………………………….….41.Thelanguageuse…………………………………………………….42.TheIcebergTheory……...……………………………..…………...63.SymbolismusedinTheOldManandtheSea…………..………….74.ThemasculinityinTheOldManandtheSea……….……………85.Thetechniquesusedin
3、TheOldManandtheSea…………….….9V.TheInfluenceofHemingway’sWritingStyle……………………….10VI.Conclusion………………………………………………………..…….10References……………………………………………………………….…11Abstract:EarnestHemingwayisaworld-famousAmericannovelistandshortstorywriter.Hisnameisoftenassociatedwithwarandcourage,withlovean
4、dviolence,withbeautyanddeath,Inhislifetime,hepublishesalotofshortstoriesandnovels,andamongthemthebestonemaybeTheOldManandtheSea,whichmakeshimwinthehighestprizeawritercanreceive---TheNobelprizeofLiterature.Thelanguageinthisnovelisparticularfromhisotherwritings.Itissimpleandnaturalonthe
5、surface,butactuallydeliberateandartificial.Thedialogueiscombinedwiththerealismandtheartistrytogether.Occasionally,theauthorusessomeskillsinhiswriting,suchasmetaphor,personification,symbols,andofcourse,hisicebergtheory.Hemingway’sstyleisrelatedtohisexperienceasajournalist,hislearningfr
6、ommanyfamouswriters.TheOldManandtheSeaisfulloffacts,mostofwhichcomesfromHemingway’sownexperience.Sothewaytousefactsisaveryimportantwritingtechniqueinthisnovel.Intheforepartofthenovel,theyareusedtoshowthequalityofSantiago’slife,simplyandnaturally.Whileinthelatterpartofthenovel,theyareu
7、sedfrominsideSantiago’sownconsciousness.Keywords:facts;simplicity;artificial;icebergtheory摘 要：海明威是一位聞名于世界的美國小說家。他的名字常常與戰(zhàn)爭，勇敢，愛情，暴力，美麗及死亡相聯(lián)系，并以其獨(dú)特的寫作風(fēng)格區(qū)別于他人。一生中，他發(fā)表了大量的短篇故事及小說，其中最著名的一部便是《老人與?！?。這部作品使他贏得了文學(xué)界的最高獎項——諾貝爾文學(xué)獎。這騙小說的語言運(yùn)用非常獨(dú)特，表面上簡單，自然，實(shí)則對語言進(jìn)行了蓄意的藝術(shù)處理，對白也集實(shí)與藝術(shù)為一體。偶爾，作者也在其寫作中運(yùn)用諸如暗
8、喻，擬人，
