introduction of leonardo da vinci(1452-1519)

introduction of leonardo da vinci(1452-1519)

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1、LeonardodaVinci(1452-1519列奧納多●達(dá)●芬奇)OnApril15,1452,inthesmalltownTuscanofVincinearFlorence,oneofthemostwidelyknownpaintersofalltime,LeonardodaVinci,wasborn.?HewasbornillegitimatetoapeasantwomanknownonlyasCaterinaandafairlywell-to-donotary,PierodaVinci.?HewasraisedinhisfathershouseatVinci.?Hebega

2、ntostudyundertheFlorentineartistAndreadelVerrochio,withwhomhecontinuedhisstudiesforagoodtenyears.?Itisevidentthathepossessedaspecialgiftfromthestartofhisartcareer.?ItissaidthathistalentwassoimpressivethatVerrochiogaveuppaintingforever.Innearlythreedecades,fromshortlybefore1500untilaround1525,we

3、seeabriefbutglorioustimeinthehistoryofartknownasthe"HighRenaissance."Thoughmanyartistsworkedinthisera,unquestionablydaVinciwasamongthegreatest.?Hehasbeencalledthe"Renaissanceman".?Heiswellknownformanygenresofartincluding:painting,sculpting,architecturaldesign,engineering,andhisfascinatingrepres

4、entationsofthehumanbody.?Additionally,hewashandsome,persuasiveinconversation,andafinemusician.Hisfirstlargepaintingwas,TheAdorationofMagi.?OtherworksascribedtohisyouthareBenoisMadonna,GinevradeBenci,andSaintJerome.?Thetwopicturedonthispage,andprobablythemostwidelyrecognized,areTheLastSupperandt

5、heMonaLisa.LeonardodaVinci:TheLastSupperDuringtheyears1495to1497,daVincicreatedTheLastSupperwhileinMilan.?ItisamuralpaintedonawalloftheMonasteryofSantaMariadelleGrazie,depictingthefinalgatheringofJesusChristandhisdisciples.?Hecreateditusingoilsondryplaster,atechniquewhichhasproventobeunsound.Th

6、enextpainting,createdduring1503-1506,isoneofthemostcelebratedportraitseverpainted,theMonaLisa;alsoknownasLaGiocondapresumablyafterthenameofthewoman'shusband.?Thispaintinghasbeentheobjectofspecialfascinationeversinceitwascreated.?Itcouldbedue,inpart,tothechoiceoftechniquesandthecaptivationofthem

7、ysterioussmilethatadornsthewoman'sface.ThetechniquesusedintheMonaLisaareknownassfumatoandchiaroscuro.?Sfumato(derivingfromtheLatinwordfor"smoke"),describesthesmokyatmosphericeffectsfromthetransitionsbetweencolors.?Itisevidentinthe

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