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1、元代文人對陶瓷繪畫的影響摘要二十世紀(jì)初期正是大英帝國鼎盛的時候所到之處就廣泛地收集文物寶藏,飄洋過運(yùn)到英國中國的瓷器也在其中。中國北京有個智化寺這個廟是明代宦官王振所建的,也是他的家廟,這廟里頭有對瓷器就是青花云龍紋象耳瓷瓶,這對瓷瓶當(dāng)時民國初期戰(zhàn)亂被商人盜賣為英國大維德中國藝術(shù)基金會收購了,這對瓶又簡稱“大維德瓶”;這對青花云龍紋象耳瓷瓶向我們揭示元代陶瓷繪畫新的輝煌。關(guān)鍵詞:元代陶瓷繪畫AbstractIntheearly20thcenturywastheheydayoftheBritishempirewherevertheywidelycollecting
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3、cofChinaatthattimethewarisbusinessmanstolenasBritain'sDavehasacquiredChineseartfoundation,thebottlealsoreferredtoas"Dave'sbottle";TheblueandwhiteYunLongWenelephantporcelainrevealtoustheyuandynastyporcelainpaintingnewbrilliance.Keywords:Yuandynastyliteratipaintingceramicpainting目錄摘要
4、...........................................................IAbstract......................................................II前言...........................................................1第一章緒論.....................................................2第一節(jié)課題研究背景、意義...........................
5、.............3一、研究背景....................................................4二、課題研究意義與價值............................................5三,本課題理論價值...............................................6四、本課題應(yīng)用價值.........................................................................................
6、.................第二節(jié)課題研究內(nèi)容........................................................................................................第四節(jié)研究方法................................................................................................................第二章瓷器上元代文人畫表現(xiàn)方式....................
7、..................................................................第一節(jié)元代文人畫概述及藝術(shù)風(fēng)格....................................................................................一、元代文人畫起源及發(fā)展..........................................................................................................第
8、二節(jié),元代文人畫藝術(shù)風(fēng)格