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1、ANINTRODUCTIONTOFEMINISMANDTHEATREFeministthinkingconstitutesalively,oppositionalandenergizingforceatthecentreofthetheatreacademy.Althougharelativelynewfieldofstudy,itsdynamicimpactischangingthewayinwhichtheatreistaughtandpractised.AnIntroductiontoFemini
2、smandTheatreisanaccessibleandintelligentoverviewoffeministtheory,plays,practitionersandpractice,allofwhicharechangingtheperceptionoftheatreasawhole.AnIntroductiontoFeminismandTheatreissplitintotwosections.Inthefirstpartthereaderisguidedthroughthekeyfemin
3、istconceptsandmethodologicalpracticesrelevanttothehistorical,theoreticalandpracticalstudyoftheatre.Astondiscusseshowfeministtheatrehistoryhasre-examinedandchangedthetheatricalcanon,surveystheEuropeancontextofFrenchfeministtheoryandtheatre,andintroducesre
4、centtheoreticalthinkingaboutgenderandperformancepractice.Thesecondsectionconsistsofcasestudieswhichillustratethevariousstrandsoftheoreticaldebate.Thisbookwillbeessentialreadingforanyoneneedingaclearandlucidguidetoanincreasinglyimportantanddynamicforceint
5、heatre.ElaineAstonisLecturerinTheatreStudiesattheUniversityofLoughborough.Shehaspublishedextensivelyonhistoricalandcontemporaryaspectsoffeministtheatre.Herpublicationsincludeafull-lengthstudyofSarahBernhardt(1989)andTheatreasSign-System(withGeorgeSavona,
6、1991).Sheisalsoco-editor,withG.Griffin,oftwovolumesofplaysperformedbytheWomen’sTheatreGroup(HerstoryIandII,1991).ANINTRODUCTIONTOFEMINISMANDTHEATREElaineAstonLondonandNewYorkFirstpublished1995byRoutledge11NewFetterLane,LondonEC4P4EEThiseditionpublishedin
7、theTaylor&Francise-Library,2005.“TopurchaseyourowncopyofthisoranyofTaylor&FrancisorRoutledge’scollectionofthousandsofeBookspleasegotowww.eBookstore.tandf.co.uk.”SimultaneouslypublishedintheUSAandCanadabyRoutledge29West35thStreet,NewYork,NY10001?1995Elain
8、eAstonAllrightsreserved.Nopartofthisbookmaybereprintedorreproducedorutilizedinanyformorbyanyelectronic,mechanical,orothermeans,nowknownorhereafterinvented,includingphotocopyingandrecording,orinanyinformationstorageorretrie
