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1、ComparisonofChineseandWesternpaintingart[Abstract]theartofpaintingintheWestdifferencesarecomposedofavarietyoffactors.First,fromaesthetictheory,ZenBuddhism,ConfucianismandTaoismtomakeChinesepaintingsfocuson‘HeavenandMan’,‘mindandmatterunification’oftherealm,thepursuitofharmonywi
2、thbothGod-shaped,isaphilosophyandart;andbenefitedfromthePerspectiveofWesternpaintingstudy,humananatomy,colorscienceandotherscientificresearch,sothattheartofpaintingwiththespiritofscience,humanitiesandtheideologyofintegration,ismoreofascientificart.[Keywords:]OriginofDifferences
3、betweenChineseandWesternpaintingFirst,ChineseandWesternpaintingthedifferencesinaesthetictheory,TraditionalChinesepaintingtraditionalChinesephilosophy,thepursuitofartisticconceptionsandgerminaleachother,isaveryimportanttraditional10Chineseaestheticsaestheticcategory,butalsotheim
4、pactofBuddhismspreadresults.Artrequestedthe‘mood’againisdifferentfromtheBuddhistword‘state’,butartcreatedbythe‘mood’or‘state’isalwaysmaterializedfeelingsandemotionofthesublimationofcrystallinematerial.ChinesePaintinginmanyoftheconcepts,suchasRoad,gas,heart,matter,God,Italy,rhym
5、e,static,potential,real,imaginary,wind,bone,science,nature,andsowasoriginallyaphilosophicalcategory,traditionalChinesepaintingisakindofphilosophyofart.InChinatheartofpainting,theartistsinmindthemost‘correct’image,nottheWestwhohavetheperspectivepainting,embossing,lightinglevels,
6、colortransformtheimageofahighdegreeofrealism,butaverysimplifiedimage,suchastheChiPai-shiholdwhenthepaintingseeminformalityintolaw,arbitraryswayWithjustafewstrokeswillbeabletocomplete,butbecauseofitsshadesofink,wetanddryarejustright,itlooksgivealifelikefeel.InChinesepaintingcolo
7、rtosimplifyconnection,theinitialstageofpaintinginourcountrytherehavebeen‘endowedwiththeclasscolor’argument,butastheart’sdevelopmentand10maturityoftherealcolorreproductionlessandlessattentiontopaintinggraduallypayattentiontolightShiShicolororcolors,so-called‘re-Dan-QingTang,Yuan
8、inkdripping’,referringtothis.Betweenthevirtualwhiteink
