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1、^西南大學(xué)碩士學(xué)位論文Abstractrelievedagainstlineartextureofmountainrocks．etc；Anotheralso，itshowsthecomplexdiversityofthesymbolsbecauseofspeciesdiversityofthetrees．3．Combinationsresultinsymbols．Thestructureofnaturalobjectiscomplicated．Butincomplexinterwovenprocess，t
2、hingsinvisibleimageshowacombinationrelationonthewhole．Byextractingandgeneralizingthesecombinationrelations，wecanthusformakindofstrongexpressiveandrecapitulatemodelingsymbols．，nleplumblossominsomeleavesdot,chrysanthemumpoint，pepperpoim，bigmixpoint,smallmix
3、point，brokenfengpoints，etc，allbecomebigbydotcombinationofformingacertainpoints，andstructuralrelations．Thefertilizationofcolorandlightandobjeetstructureresultinsymbols．Naturalobjectinactualenvironment,itsstructurechangeincolorproducecomplexvisualperception
4、undertheactionofcolorandlight，Willthisfeelingextractionandsolidification，weformrelativelystablemodelingmethods(symb01)，forexample，theoutlineofallkindsofwaterintraditionallandscapeandthebeetleslinenandsymbolsarelinkedtothesefactors．5，visualexperienceresult
5、sinsymbol，whichisatop-levelwayofsymbolsform．Symbolsresultfromthesubjunctive’Smacrofeelandholdontheobjectiveenvironmentandmainnaturalsceneryvisual．Forexample，MiDianCun(awaywhichshowscenerybypoins)createdbymetersMiFu,points、析n1multipleandsimplepointsymbolac
6、cumulation,overallgoodexpressedsmokymountainYunLannaturallandscape，andthevisionstronglyshowsubject’Ssensibilityaboutnaturalpersonalizedpainting．Onethingweneedtopointoutinthestudyontraditionallandscapepaintingformationcause，isthatsymbolsresult謝thsomestanda
7、rd，anditneedsaconsensusoftheenvironment，notonlyindividualbutalsoCanbecommonrecognized．Keywords：traditionallandscapepainting，symbols，landscapepaintingsymbolsIV^●西南大學(xué)碩士學(xué)位論文引言中國(guó)山水畫(huà)自魏晉萌芽，距今一千七百多年歷史，山水畫(huà)的發(fā)展為我們提供了豐富的符號(hào)資源，如樹(shù)、石、云、水等的符號(hào)化與程式化方式，為后世研究和學(xué)習(xí)山水畫(huà)提供了寶貴的間接表現(xiàn)
8、資源。從人物畫(huà)中出現(xiàn)山水畫(huà)的雛形，到山水畫(huà)成為獨(dú)立的畫(huà)科，由唐以前的空勾無(wú)皴到唐代青綠山水的繁榮，其后皴法的出現(xiàn)直至宋代水墨山水畫(huà)法的高度成熟，繼而元代文人水墨山水的濫觴，皴法的進(jìn)一步發(fā)展，之后明清山水畫(huà)造型符號(hào)趨于成熟直至定型等，這是一個(gè)漫長(zhǎng)而極具研究和探討價(jià)值的傳統(tǒng)山水畫(huà)造型語(yǔ)言形成過(guò)程。關(guān)于傳統(tǒng)山水畫(huà)造型符號(hào)的成因研究，目前還比較薄弱和欠缺，大多是關(guān)注畫(huà)家生活及其社會(huì)背景、繪畫(huà)師承與技巧傳承等方面的探討，對(duì)傳統(tǒng)符號(hào)的形成
