岡倉天心英文作品自我與他者形象的跨文化辯證研究

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1、ＳＨＡＮＧＨＡＩＩＮＴＥＲＮＡＴＩＯＮＡＬＳＴＵＤＩＥＳＵＮＩＶＥＲＳＩＴＹＩ（題目）陋岡倉天心蒼祕文作品自納他者形象的跨文化辯證研究英ｉ吾ｉ吾訂學(xué)學(xué)科專業(yè)２喊屆別姓名臟教授導(dǎo)師｜上海外國語大學(xué)博士學(xué)位論文岡倉天心英文作品中自我與他者形象的跨文化辯證研究院系：英語學(xué)院學(xué)科專業(yè)：英語語言文學(xué)姓名：林幟指導(dǎo)教師：張紅玲2018年5月ShanghaiInternationalStudiesUniversityDIALECTICALINTERCULTURALSTUDIE

2、SONIMAGESOFTHESELFANDTHEOTHERINOKAKURATENSHIN’SENGLISHWORKSSubmittedtotheSchoolofEnglishStudiesInPartialFulfillmentoftheRequirementsforDegreeofDoctorofPhilosophyByLinZhiUndertheSupervisionofProfessorZhangHonglingMay2018答辯委員會成員主席：顏靜蘭成員：MichaelSteppat張群戴曉東SteveJ.KulichAcknow

3、ledgementsIamespeciallyindebtedtoProfessorZhangHongling,mydearsupervisor,whosetsmeanexemplarofscholarship,mentorshipandmanyotheraspectsinlife.Ifnotforherthoughtfultutorageandimmensepatience,thisdissertationcouldneverhavebeenformedintoitspresentshape.Mydeepappreciationalsog

4、oestoProfessorSteveJ.Kulich,aneruditeandempatheticteacher,whoneverfailstoinspiremeandattendtomyneedwithinstructiveadvice.IwouldalsoliketothankProfessorMichaelSteppat,anintellectuallyrigorousscholarwithanengagingpersonality.Ideeplyappreciatehimforprovidingmewithtimelyfeedba

5、ck,invaluablesuggestionsandmuchwarmsupport.IamalsoappreciativetoProfessorLeoChing,withoutwhoseacceptanceIcouldnothavebeengrantedthechancetoconductresearchatDukeUniversity.BigthankstoDr.DarlaDeardorff,executivedirectoroftheAssociationofInternationalEducationAdministrators,w

6、hohasmademefeelathomeintheU.Sandkindlyinvitedmetomanyinterculturalcommunicationworkshopsthatgreatlyenrichedmyacademiclifethere.SpecialthankstoProfessorBhawukforremindingmethatspiritualcalmnessandmindfulnessmaybetheultimatepathtointellectualstrength,solaceandintegrity.Tothe

7、teachersintheICinstitute,andtomyfellowICfriends,Iamgratefulforhavingyouwithmethroughthismemorablestageofmylife.Myheartfeltthanksalsogotomydearparents,whoseloveandguidancearealwayswithmeinwhateverIpursue.Theyaremyultimaterolemodels.Sweetthankstomysupportivehusbandformakingm

8、elaughwhenImostneedit.I摘要岡倉天心(1862-1913)代表了明治維新時期日本知識分子在東西對峙中敏感的文化觸角和靈魂掙扎，他的系列英文作品《東方的覺醒》