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1、莊子審丑美學(xué)觀探微中文摘要在座子思想研究的道路上,對(duì)其美學(xué)思想的研究雖有不少,但對(duì)莊子審丑美學(xué)的專門研究仍然可以說是一片空白。而事實(shí)上,莊子具有極其豐富的審丑美學(xué)思想,本文試從《莊子》文本出發(fā),通過辨證思維方法力求探析梳理莊子的審丑美學(xué)思想。莊子沒有專f1的美學(xué)著作,但透過《莊子》全書,我們會(huì)發(fā)現(xiàn)一部莊子哲學(xué)無處不充滿著美學(xué)思想的光輝。且有個(gè)顯著的特點(diǎn):莊子尤其關(guān)注審丑活動(dòng),且審丑內(nèi)涵極其豐富。具體體現(xiàn)在:莊子對(duì)丑的分在形式和個(gè)體的內(nèi)在心靈的鄙陋都有所關(guān)注,而莊子所審之丑重點(diǎn)不在于那些無法開化的真丑
2、,他所審視的丑是可以內(nèi)化的,可以向“道"皈依的,審丑是為了讓外在幫內(nèi)在的不自由向“大美"轉(zhuǎn)化。因而,潛藏于個(gè)體外在和內(nèi)在的“丑"具有符合搿道"的實(shí)質(zhì)。此外,莊子審丑美學(xué)重點(diǎn)給我們點(diǎn)純了如何使“翌’’轉(zhuǎn)向“美”的具體辦法,強(qiáng)調(diào)不應(yīng)矯揉造作,而應(yīng)“法天貴真”,對(duì)于外在的丑陋應(yīng)該以“德’’來內(nèi)充,而內(nèi)在的鄙陋?jiǎng)t應(yīng)放棄世俗的功名利祿之心,通過“心齋丹、“坐忘"、“康靜”焉步入“道"的精神境界。誠然,莊子審丑美學(xué)是一個(gè)比較系統(tǒng)化的理論構(gòu)想,具有極大的合理性,突出體現(xiàn)在莊子對(duì)“美”、“丑"二者的對(duì)照和辨證分析。
3、然瑟,仍然難免有其癥結(jié)存在,主要表現(xiàn)在美丑的同一性,認(rèn)為美丑二者最終到“道"那里就變得沒有了任何的差別,忽視了丑的客觀存在。關(guān)鍵詞:莊子審丑美學(xué)AnAestheticalStudyOntheZhuangzi’SRevelationof’’Ugliness’’AbstractAsthedevelopmentofthestudyonZhuangzi’Sthoughts,theresearchaboutZhuangzi’Saestheticthinkingisbecomingmoreandmore.But
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6、cthinkingoftheglory.Andtherewasanotablefeatures:ZhuangziparticularlyconcemedabouttheUgly,andtheUglyextremelyrichconnotations.Concreteexpressionin:ZhuangzitheugliestformsofexternalandtheinternalsouloftheindividualBilouhaveconccms,andtheuglytrialbyZhuang
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